Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Wednesday, 31 October 2012

Say CHEESE...CAKE!

I am so excited to write this post about some of my favourite people ever. Everyone really needs to get a familiar with the with this group of tall and handsome (mostly :P) comedian-best-friend-roommates, affectionately known as CHEESECAKE.

Cheesecake is a collaborative group of four young comedians, Simmi Areff, Lazola  Gola, Robby Collins and Mojak Lehoko.  Each comic is successful and established in his own right, but together, they bring a certain chemistry, magic and brotherhood to comedy that is really something exceptional. Besides being some of the coolest individuals I have ever met,  they are each so unique and fresh in their comedy design. Their comedy is honest, sharp and edgy, and they each have their own style of delivery drawn out from their individual personalties.


Their bond as Cheesecake is based on a shared passion for comedy and a mutual love and respect for each other, but more definitively, exists as they are each forward-thinkers who understand the art of comedy and who have the courage to go after their dreams HARD. What better way to do it than with your best friends, right? They have cultivated this new, exciting tone in comedy that is distinctive and authentic, and completely self-created. Their flavour will get you addicted and soon you’ll find yourself following them on Twitter (@simmiareff, @LazGola, @mojaklehoko,@RobbyCollns08). And in real life, just to hang out with them (They live on Korea road). Though they may run away from you.
In line with their progressive nature, the boys have started much needed a comedy gig every Tuesday at Kitchener’s in Braamfontein called 'New Material Night' where they and other invited comics try out new material every week. There is a raucous, fun, crazy atmosphere at Kitcheners where you will see comics at their best and worst, but you will definitely walk away satisfied. It may even be the highlight of your week. (Probably.) Check out the video below to see what goes down at Kitcheners on a Tuesday night! Also shout put to the girl with the amazing laugh in the start of the video.


Cheesecake sometime transform into a music group called Ride or Die. As if comedic talent wasn’t enough, they produce, write and rap on their own tracks, very reminiscent of old school hip hop/early N.E.R.D. I’m even featured on one called “Sleez is the New Swag”. Have a listen to some of the tracks and spread the music around J Here are the links:
Sleez is the New Swag à http://www.hulkshare.com/uj7tonkp1r8y
Bitches Love Biscuits à  http://www.hulkshare.com/8ovkikuj1gb9
Don’t Buy City Press à http://www.hulkshare.com/0dn3r8r4ep31

Cheesecake are HILARIOUS. These guys are all so ambitious and passionate and have the talent and drive to back it up - I can’t wait to see what their future’s hold!
Don’t forget to go through to Kitcheners every Tuesday night for comedy! It’s at 5 De Beer Street, Braamfontein, starts at 9 and damage is 20 bucks! Take all your friends and spread the word! Get in there before it blows up so much that there won’t be any space for you and all your friends and you'll be turned away because the party is THAT crazy. Don’t say I didn’t put you on!


Have you seen Cheesecake perform? What do you think of them?
Please comment and share this post. Young, legit South African talent deserves it  J
Peace and stuff!
Nx

Monday, 16 July 2012

How Madonna makes Cool Girls lame...

Pop culture time kids! I do love me some pop culture, but more specifically, I love trying to figure out the meanings and constructions within the world of pop. Generally, pop culture expresses the most popular and commercial icons, trends, pleasures and even information of a current time, traditionally, with a strong theme of sex appeal underlying this. It is a culture that is hip and cool, and new and trendy- a culture that captures the imagination of the masses worldwide. It is this very nature that makes me want to look at pop culture critically and not just be sold what it is selling.

This frame of mind coupled with my incessant MTV watching (Music is my thing), I stumbled across Madonna’s latest comeback video attempt, “Give me all your luvin” featuring 2 of my favourite girls, M.I.A and Nicky Minaj, and I noticed something interesting...Madonna uses the biggest, brightest and coolest pop stars of the moment as support, and then makes them lame, uncool and awkward in order to portray herself as the Queen Bee, Queen of pop. This may be apparent in her own representations, but let’s be honest, this isn’t really who she is in the pop music world especially amid bad ass female pop talent like Nicky Minaj, Katy Perry, Lady Gaga, Rihanna and Taylor Swift who are ruling HARD. I have proof to support my argument about Madonna’s fake reign, using this music video as the primary evidence! (Woohoo!)

The Set Up
So the music video is set in some made up streets of a suburb, amongst the main characters in the video – the cheerleaders consisting of M.I.A and Nicky Minaj, the football team and the Lady Madonna herself. Interestingly she initially appears under the rouse of a suburban mother with her baby in a stroller, but quickly abandons that role and changes into a sexy, trendy, “young” thang that is literally followed and adored by the football team. The general idea of the video is also very interesting to note – it’s a very American construction that brings up ideas of American teenage movies and series, like Bring It On, Not Just Another Teen Movie, She’s All That, Glee, Hellcats, One Tree Hill...the list is kind of endless. Things like the mean and domineering, yet popular prom queen/head cheerleader, the cheer leading squad made up of the hottest, most popular girls in the school, the hot football team jocks and their Prince Charming quarterback, girls on cheer leading team always yearning to be the head cheerleader, etc. These ideas carry strong connotations that we have been conditioned to because of the repetition of these stereotypes in movies. You know I’m right.


Well, in this video, the same stereotypes are perpetuated to suit what Madonna wants to say about herself. Except, here, poor M.I.A and Nicki Minaj, who are probably bigger stars than Madonna in this day and age, come off second best to Madonna. I say this particularly because of their role as cheerleaders, where they traditionally function to cheer on the football team.  You could also say that they are the cheerleaders who want to be like Madonna, the head cheerleader. Here, the football team are totally infatuated by Madonna and throughout the video, they work overwhelmingly to protect a very oblivious Madonna. They throw their jackets on the floor for her to walk on, protect her from the rain, carry her around. They basically give “all their love” to Madonna. The cheerleaders, particularly M.I.A and Nicki Minaj, innocently cheer on and support their football teams’ strong adoration of Madonna. These bad b*tches (in reality) cheer Madonna’s name and all the attention and focus is on Madonna, with their pop power being majorly overlooked. They are merely Madonna’s back up. This pop power/fame/popularity is quickly redirected onto Madonna, and this is held throughout the video.


The Makings of a Marilyn

The next major scene that supports the argument that Madonna is making M.I.A and Nicki Minaj her b*itches, is in what I call “the Marilyn scene”. No, it’s not a fancy shmansy name, it’s just because all three pop stars dress up as Marilyn Monroe in this scene. This is established from the cues of the their short platinum blonde hair, diamonds and pearls, red lips, artificial moles and white dresses, all  trademarks of the traditional Marilyn Monroe look. Now let’s think about this...The iconic Marilyn Monroe image is obviously aesthetically best pulled off by Madonna, given that she is most similar in looks to Marilyn Monroe – she too is Caucasian, is a natural blonde and she too signifies a very sexualised persona.


Enter the brown girls. M.I.A is Sri Lankan and Nicki Minaj has her roots in Trinidad and Tobago. They are not fair in completion. They are beautifully brown, exotic and different, as opposed to the blonde bombshell. It is essentially because of this, that in this scene, they look more as though they are playing dress up, where as this look suits Madonna to such an extent that she actually looks like a spitting image of Marilyn Monroe. M.I.A and Nicki Minaj look unnatural, inauthentic and seem to be parodying Marilyn Monroe, instead of representing the ultimate blonde bombshell as Madonna is successfully doing. They seem over-exaggerated, with M.I.A especially coming off as a little slutty with that way short skirt. M.I.A also flips the bird to the camera, a boldness and rebelliousness that is very opposite to the Marilyn Monroe persona. This makes her seem even more un-Marilyn like, and more misfit-like.  To me, they, look kind of embarrassing, kind of fake, kind of undermined. When compared to Madonna, this look does not suit them at all - they look awkward and made-up, while Madonna naturally carries this look. In so doing Madonna is portrayed as the ultimate blonde bombshell. This also reaffirms the spotlight on Madonna, even though in this scene M.I.A and Nicki Minaj perform their parts of the song.



Oh no she di-nt!
But hold up. This is not the first time that Madonna has pulled this dirty trick....Remember the  2003 MTV Video Music Awards? Britney and Christina were the biggest thing in the world, both with highly successful careers at that point. They were the best thing since Madonna! They were the ultimate and inevitable pop heiresses, when Madonna just HAD to kiss them both during their collaborative VMA performance. SHINE STEALER. To me, they seemed like pawns in Madonna’s performance game. Even though they were controversial head-lining kisses, they also worked to weaken and homogenise Britney and Christina, and focused all the attention on Madonna, as the “bad girl”. Mission accomplished, Madonna.


But wait...there's more! 

Madonna additionally attempts to purport her dominance in the last scene of this video, where the mood is triumphant and M.I.A and Nicki Minaj are nowhere to be found. Here, Madonna’s identity is emphasised, and she holds the football helmet up high as if she has won the ultimate prize within the video. She is the queen – a metaphor probably inserted in there to remind us that according to her, she is still the Queen of Pop. It’s a little sad, because this is self-given and not really reflective of the pop audience. It’s also sad because M.I.A and Nicki Minaj are back-up singer accessories to Madonna in this music video, and their real power, influence and relevance is undermined – a major theme in this video.



So Madge has been caught out and....

I don’t necessarily see a stable, overarching, ruling place for Madonna in today’s pop music landscape. Don’t get me wrong, I am a huge (old) Madonna fan, but although she has the history, she doesn’t seem to have the relevance in pop music today, especially amidst bold, unique stars like M.I.A and Nicki Minaj who have their own voices and stand points, who write their own songs and don’t necessarily conform to pop traditions. The pop audience and their expectations have also changed, and we do not want or expect the same old sexy, blonde, bubblegum pop star, as has been tradition. We want variety, rebellion, intelligence, grit, representation. Madonna knows she doesn’t have this power and perhaps this is the reason she secretly steals the shine for her competition. She wants us to give her all our loving, but she is not as worthy of it as other pop stars are to us. In order to get it though, Madonna will steal your shine...At least she's been caught out. At least she’s trying.
Sneaky, huh? What do you think?  

Wednesday, 23 May 2012

Dirty Pop and Me: Let me explain.

I’ve always had a strange affinity to pop music, ever since I was a little kid. This is probably because growing up I was surrounded an eclectic mix of my family’s musical tastes, which included The Beatles, Crosby Stills and Nash, Barbara Streisand and even Tupac (Shout out to my big brother). Everyone in my family was so enraptured in their own music tastes, and I was lost somewhere in these musical interactions, enjoying but never belonging.
That is of course until I saw Britney’s Baby, One More Time video and my pop identity was born. I decided then and there that this was a culture I would be a part of and belong to and this, unashamedly, taught me how to be confident and also began my now endless love affair with music. This pop identity and my musical tastes have of course changed (I hope), even though my Master’s dissertation ended up being on pop music and Lady Gaga (Its COOL. Read here ---> http://wiredspace.wits.ac.za/handle/10539/11374).

Point is, ALL of this, has now made me  become keenly critical of pop culture and pop music. It just comes so naturally. I watch music videos, listen to pop music, watch tours, keep up to date with news, all the while, not indulging but analysing and becoming aware of the meanings communicated.
This brings me to some recent observations I'd love to blog about, if you'd indulge me... Everything is not as it seems. Watch this space. (Well not this exact space, probably a space above this).

I know, right!

Thursday, 3 May 2012

Fuck it, Wolf Gang



Urban dictionary on OFWGKTA:

"A group of Satanic skateboarding rapist rappers. The realest niggaz alive.
Me - "You been on some OFWGKTA?"
Friend -"Who the fuck is that?"
Me -"Eat a dick nigga."
*Grabs the muhfucking hunting knife, stabs him in the neck and hip, throws him in the trunk and dips*

Me - "Should've been on that shit""



First thing to clarify, is that the group claims to be atheists, not satanists. 23 % of Sweden makes the same claim so nothing special there.

Tyler’s leadership is something that I suspect books will be written about when he dies at 27. Fuck Steve Jobs, Tyler's the face and energy that seems to be followed by the rest of the Odd Future crew without any doubt or questioning.

He can be seen posing with chains and throwing cash around purposefully looking like an idiot setting himself apart from the bling rappers.

"Fuck Steve Harvey" – an Odd Future slogan that has nothing to do with Steve Harvey. Haven’t you ever wanted to say something because you like the way it sounds rather than because of what it means? The divorce of words and imagery from meaning lead to an interesting conversation around what their truth is and what is worth saying.

“I like 7 things”


There was a rumor that Earl’s mother is our ex-Deputy President, Baleka Mbete. It's untrue.  His father is South African resistance poet, Keorapetse Kgositsile, who is Baleka's ex.




Oldie – "fuck what they’re saying, you keep filming" - impromptu video shot at a Terry Richardson photo shoot.




Does it affect my psyche – yes, everything does. I like the blur between truth and imaginative realism, they’re hiding truth in fiction and their fiction in the absurd…they put on masks that might be an exaggeration of what they’re feeling (like every R&B song ever) accept that they express that people can hate with equal intensity that they love. People are angry. Friends matter. They have punchlines.

They are really, really young. Tweets talk about their prom, Syd just turned 20.

Feminism – treat Syd like any one of the guys…how many groups of friends are equaly representative? Are women objectified in their music any differently than in any other sort of music? Does the extreme imagery force re-examination?

Frank Ocean – everyone I’ve played it for has found something in there to love – someone with the appeal of Adele associated with this group of maniacs is worth taking note of. He sounds like Hank Moody R&B.


Blog's sick and all music's available for free download.


Not only are they talented they're rad as fuck.